Period of NOCTURNE/Story: Difference between revisions

Period of NOCTURNE
Story Information
Chapters	8
Key unit	Vivid BAD SQUAD;
Characters
Translation Information
Translator	eiyuuou; streetsekai;
Source	Youtube playlist;
	view; talk;

Content added Content deleted

VisualWikitext

Inline

Revision as of 01:39, 12 June 2024

Event Story After Live

Chapters

Image	Chapter Title	Featured characters
	Staffs That Don't Meet
	A Restricted Melody
	What I'm Lacking
	Words that Can't Reach
	What We Both Believe In
	Words to Spur Me Onward
	Cantabile at Night's End
	The Light I Grasped in My Hand

Summaries

Chapter 1: Staffs That Don't Meet

Miku helps clean cups at the Crase Cafe when she notices one of the cups has a crack.

After returning home from a gig, Toya's father, Aoyagi Harumichi, confronts him for coming home late. The two argue, Harumichi angry with Toya's decision to abandon classical music, and Toya frustrated with his father's disrespect for street music.

At practice, Kohane tells Toya, An and Akito that her parents have found out about her performing activities and are opposed to them, thinking they're dangerous. An tells Kohane to invite them to their next performance so they can see the environment for themselves.

Chapter 2: A Restricted Melody

A regular customer of WEEKEND GARAGE comes into the cafe while Vivid BAD SQUAD is practising. He asks the group to perform for him, and they agree, eager to receive his advice. He compliments Toya for his ability to stay on pitch, but also says his voice sounds flat and inexpressive because of it.

Chapter 3: What I'm Lacking

Toya goes to talk to Akito, which Akito is surprised by, telling Toya that he usually bottles up his problems, as in the events of the Main Story. Toya tells him that it must be Akito that caused the change.

Toya confides in Akito and Ken about his voice. They don't believe there's anything wrong with his singing, and Ken suggests it's something in his life that's making him feel differently. Akito asks if it might be his conflict with his father, and Ken suggests he confront him head-on.

Kohane and An arrive, and Kohane tells them that her father agreed to attend their event.

Chapter 4: Words that Can't Reach

Despite Akito's uneasiness, Toya is determined to confront his father. However, his father is unreceptive. Toya responds by telling him that he felt like a slave who was only doing what his father told him and runs from his house, upset.

The next day, Toya can't focus, worrying Akito. Kohane and An notice, and encourage him to confide in them. They suggest many solutions to Toya's problem, but everything they think of would only worsen the situation.

Chapter 5: What We Both Believe In

The group laments that they aren't able to find a solution, but Toya is grateful for their effort. They decide to travel to SEKAI.

In the Crase Cafe, Miku is trying to think of ways to reuse the cracked cup she found earlier when the members of Vivid BAD SQUAD arrive. They confide Toya's problem to her and MEIKO.

Miku points out that Toya and his father both love music, so they ultimately feel the same. Kohane suggests that his father loves classical music and wants Toya to appreciate it.

Toya realizes that his father believes exactly that - from his point of view, Toya is abandoning something that will make him happy. Toya intends to confront him again.

Chapter 6: Words to Spur Me Onward

Akito reassures Toya that he truly loves music, and urges him not to forget that. Toya confronts his father. He tells him that he loves classical music, and admits that he turned to street music just to rebel against his father, but it evolved into a genuine love of the genre.

Toya gives him a ticket to their next event, and thanks him for teaching him to love music.

Chapter 7: Cantabile at Night's End

On the day of the event, Kohane's dad is present. Toya tells the others that he invited his father as well, but doesn't know if he intends to come.

Vivid BAD SQUAD get on stage, from which Toya doesn't see his father. As they begin, he feels a sense of clarity and harmony with his teammates, and he sings better than ever before, surprising and impressing his teammates, especially Akito.

Chapter 8: The Light I Grasped in My Hand

Kohane thanks her father for watching their show, with him now understanding and respecting Kohane's music career. Toya tells the others that despite his father's disapproval, he's determined to continue walking down the path of street music.

Toya returns home, apologizing to his father for coming home late. His father tells him that he still doesn't see anything in street music, and Toya realizes that he did come to see the performance after all.

At the Crase Cafe, Miku finishes planting some thyme in the cracked cup, with the crack acting as drainage. Toya thanks her and asks about the cup, which Miku says can still be used, as long as it's not competely broken.

Event story movie

Navigation

@@ Line 51: / Line 51: @@
 == Summaries ==
-=== Chapter 1 - Staffs That Don't Meet ===
+=== Chapter 1: Staffs That Don't Meet ===
-[[Hatsune Miku|Miku]] helps clean cups at the Crase Cafe, when she notices one of the cups has a crack.
+[[Hatsune Miku|Miku]] helps clean cups at the Crase Cafe when she notices one of the cups has a crack.
-After returning home from a gig, [[Aoyagi Toya|Toya]]'s father, [[Aoyagi Harumichi]], confronts him for coming home late. The two argue, Toya's father angry with his decision to abandon performing classical music, and Toya frustrated with his father's disrespect for his choice to pursue street music. Toya tells his father to stay out of his life moving forward.
+After returning home from a gig, [[Aoyagi Toya|Toya]]'s father, [[Aoyagi Harumichi]], confronts him for coming home late. The two argue, Harumichi angry with Toya's decision to abandon classical music, and Toya frustrated with his father's disrespect for street music.
-At practice, [[Azusawa Kohane|Kohane]] tells Toya, [[Shiraishi An|An]] and [[Shinonome Akito|Akito]] that her parents have found out about her performing activities and are opposed to them, as they think they're dangerous. An tells Kohane to invite them to their next performance so they can see the environment for themselves.{{main|Period of NOCTURNE/Story/Chapter 1}}
+At practice, [[Azusawa Kohane|Kohane]] tells Toya, [[Shiraishi An|An]] and [[Shinonome Akito|Akito]] that her parents have found out about her performing activities and are opposed to them, thinking they're dangerous. An tells Kohane to invite them to their next performance so they can see the environment for themselves.{{main|Period of NOCTURNE/Story/Chapter 1}}
-=== Chapter 2 - A Restricted Melody ===
+=== Chapter 2: A Restricted Melody ===
-A regular customer of Weekend Garage comes into the cafe while Vivid BAD SQUAD practices. He asks the group to perform for him, and they agree, eager to receive his advice. He compliments Toya for his ability to stay on pitch, but also says his voice sounds flat and inexpressive because of it.{{main|Period of NOCTURNE/Story/Chapter 2}}
+A regular customer of WEEKEND GARAGE comes into the cafe while Vivid BAD SQUAD is practising. He asks the group to perform for him, and they agree, eager to receive his advice. He compliments Toya for his ability to stay on pitch, but also says his voice sounds flat and inexpressive because of it.{{main|Period of NOCTURNE/Story/Chapter 2}}
-=== Chapter 3 - What I'm Lacking ===
+=== Chapter 3: What I'm Lacking ===
 Toya goes to talk to Akito, which Akito is surprised by, telling Toya that he usually bottles up his problems, as in the events of the [[Main Story/Vivid BAD SQUAD|Main Story]]. Toya tells him that it must be Akito that caused the change.
@@ Line 68: / Line 68: @@
 Kohane and An arrive, and Kohane tells them that her father agreed to attend their event.{{main|Period of NOCTURNE/Story/Chapter 3}}
-=== Chapter 4 - Words that Can't Reach ===
+=== Chapter 4: Words that Can't Reach ===
-Despite Akito's uneasiness, Toya is determined to confront his father so he doesn't drag down the group. However, when he tries to do so, his father insults street music again. Toya responds by telling him that he was unhappy doing classical music, and felt like a slave who was only doing what his father told him. Toya runs from his house, upset.
+Despite Akito's uneasiness, Toya is determined to confront his father. However, his father is unreceptive. Toya responds by telling him that he felt like a slave who was only doing what his father told him and runs from his house, upset.
-The next day in practice, Toya can't focus, which worries Akito. Kohane and An notice, and encourage him to confide in them. They suggest many solutions, such as asking Toya's brothers or mother to talk to him, or even An herself talking to him, but everything they think of would only worsen the situation.{{main|Period of NOCTURNE/Story/Chapter 4}}
+The next day, Toya can't focus, worrying Akito. Kohane and An notice, and encourage him to confide in them. They suggest many solutions to Toya's problem, but everything they think of would only worsen the situation.{{main|Period of NOCTURNE/Story/Chapter 4}}
-=== Chapter 5 - What We Both Believe In ===
+=== Chapter 5: What We Both Believe In ===
-The group laments that they aren't able to find a solution, but Toya is grateful for their effort. They decide to travel to SEKAI for a change of scenery.
+The group laments that they aren't able to find a solution, but Toya is grateful for their effort. They decide to travel to SEKAI.
 In the Crase Cafe, Miku is trying to think of ways to reuse the cracked cup she found earlier when the members of Vivid BAD SQUAD arrive. They confide Toya's problem to her and MEIKO.
@@ Line 80: / Line 80: @@
 Miku points out that Toya and his father both love music, so they ultimately feel the same. Kohane suggests that his father loves classical music and wants Toya to appreciate it.
-Toya realizes that his father believes exactly that - from his point of view, Toya is abandoning something that will make him happy. Toya intends to confront him again, this time attempting to make his father understand that he loves street music as much as his father loves classical music.{{main|Period of NOCTURNE/Story/Chapter 5}}
+Toya realizes that his father believes exactly that - from his point of view, Toya is abandoning something that will make him happy. Toya intends to confront him again.{{main|Period of NOCTURNE/Story/Chapter 5}}
-=== Chapter 6 - Words to Spur Me Onward ===
+=== Chapter 6: Words to Spur Me Onward ===
-Akito reassures Toya that he truly loves music, and urges him not to forget that. Toya waits for his father to come home, and when he does, he asks his father to talk. He tells him that he loves classical music, and admits that he turned to street music just to rebel against his father, but it evolved into a genuine love of the genre.
+Akito reassures Toya that he truly loves music, and urges him not to forget that. Toya confronts his father. He tells him that he loves classical music, and admits that he turned to street music just to rebel against his father, but it evolved into a genuine love of the genre.
-Toya gives him a ticket to their next event, and thanks his father for teaching him to love music.{{main|Period of NOCTURNE/Story/Chapter 6}}
+Toya gives him a ticket to their next event, and thanks him for teaching him to love music.{{main|Period of NOCTURNE/Story/Chapter 6}}
-=== Chapter 7 - Cantabile at Night's End ===
+=== Chapter 7: Cantabile at Night's End ===
-The day of the event rolls around. Kohane's dad enters the venue with a camera, and security confronts him as filming is not allowed, worrying Kohane. Toya tells the others that he invited his father as well, but doesn't know if he intends to come. An and Kohane encourage him, telling him he's the backbone of the team.
+On the day of the event, Kohane's dad is present. Toya tells the others that he invited his father as well, but doesn't know if he intends to come.
-Vivid BAD SQUAD get on stage, from which Toya doesn't see his father. As they begin, he feels a strange sense of clarity and harmony with his teammates, and he sings better than ever before, surprising and impressing his teammates, especially Akito.{{main|Period of NOCTURNE/Story/Chapter 7}}
+Vivid BAD SQUAD get on stage, from which Toya doesn't see his father. As they begin, he feels a sense of clarity and harmony with his teammates, and he sings better than ever before, surprising and impressing his teammates, especially Akito.{{main|Period of NOCTURNE/Story/Chapter 7}}
-=== Chapter 8 - The Light I Grasped in My Hand ===
+=== Chapter 8: The Light I Grasped in My Hand ===
-Kohane thanks her father for watching their show, with him now understanding and respecting Kohane's music career. Toya tells the others he didn't see his father, but that he's determined to continue walking down the path of street music, no matter what his father says. An compliments him, saying he went from a backbone to a support that pushes them to do better.
+Kohane thanks her father for watching their show, with him now understanding and respecting Kohane's music career. Toya tells the others that despite his father's disapproval, he's determined to continue walking down the path of street music.
 Toya returns home, apologizing to his father for coming home late. His father tells him that he still doesn't see anything in street music, and Toya realizes that he did come to see the performance after all.
-At the Crase Cafe, Miku finishes planting some thyme in the cracked cup, with the crack acting as drainage. Vivid BAD SQUAD appears, and Toya thanks her and asks about the cup, which Miku says can still be used, as long as it's not competely broken. {{main|Period of NOCTURNE/Story/Chapter 8}}
+At the Crase Cafe, Miku finishes planting some thyme in the cracked cup, with the crack acting as drainage. Toya thanks her and asks about the cup, which Miku says can still be used, as long as it's not competely broken. {{main|Period of NOCTURNE/Story/Chapter 8}}
 == Event story movie ==